Sustainability in all its forms (environmental, social as well as financial) is critical to the success of the studio. Financial sustainability is achieved by working in both academia and the creative sector. I aim to demonstrate sustainable practices in my work, using environmentally responsible materials where possible. As an artist working with energy intense materials such as glass, this had led to some fundamental changes being made. The studio already used recyclable glass (fuseable glass), and re-use of materials as much as possible. This includes recycling of materials such as wax, rubber and plaster where possible. A commitment has been made to use materials in different configurations, so that they can be used in multiple works rather than just one, especially for exhibition pieces. Finally, as the kiln relies on three phase electricity, the studio is now supplied with 100% renewable energy (Good Energy), which in my head - and I know it doesn’t work like that - buys energy from my local farmer friend who supplies clean solar energy to Good Energy. In time local supply options should become more feasible….
I avoid unnecessary travel and will travel by train as preferred mode of transport, where this is possible or use an electric car to get to places where public transport infrastructure is lacking, which includes where I live and work in the Scottish Borders.
Environmental stewardship takes into account the impact of work practices in places and beyond to the general environment, considering the suitability of materials, processes and approach. I advocate this through both practice in the studio and my academic work, to use creativity to help us imagine and work on a better future through making and storytelling.
