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Material Journey



National Glass Centre, 2018



The Material Journey exhibition, with new and revisited work, considered the impact of a project in the context of the Anthropocene, and ran from 9th June to 13th of October 2018 in the Research Gallery at the National Glass Centre, Sunderland.


The Anthtropocene is a contested, but useful, term to describe the current epoch in which human civilisation has made a discernible geological impact on the planet. The Anthropocene makes us consider the impact of human activity on the planet's ecosystems.


As such, I wanted to explore the physical journey glass makes, from the factory to the studio, from the studio to the gallery... It is by no means an exact science and it did open up a rabbit hole of questions; where do you stop? However, the key part was asking the question and standing still for a minute to consider where and how materials 'live' in our midst. I am grateful to the National Glass Centre, and Julia Stephenson in particular, for encouraging me to undertake this work and to place it in the context of ongoing PhD research.


This work was discussed in the peer reviewed Arts Journal (2019).





Material Journey



The above piece, Material Journey (2018), after which the exhibition is titled, has been purchased by the National Glass Centre for its growing, permanent collection. This piece was also exhibited at the NGC 21 exhibition which ran from 6 April to 15 October 2019 at the National Glass Centre, to celebrate its 21st anniversary. The work was displayed alongside the work of over sixty other artists - including many graduates and colleagues - who have played a role in establishing Sunderland’s reputation as an international centre of excellence for glass. The exhibition was a fitting finale to my Sunderland years, which have come to end after twelve years of teaching there on the Artist Designer Maker degree course, before taking up a post as Research Fellow at Edinburgh Napier University in April 2019.



Silicone Mould used to make Wax Model.



Wax Model from for lost wax casting technique.



Cast Glass form de-moulded, prior to finishing.



Ten Green Bottles



National Glass Centre, 2018



As part of the Material Journeys exhibition, I revisited an older piece of work, Ten Green Bottles, originally made for the Green Design-Ed exhibition at the Collins Gallery in Glasgow in 2006 which showcased the work of eleven makers for the Design-Ed collective, established in 2000 of which I was part until it was disbanded in 2008 when the group members moved away away, and on from the city of Edinburgh. Ten Green Bottles was a collection of ten recycled green wine bottles, with engraved labels, originally inspired by a visit to the Alloa glass factory (then United Glass) who produced glass jars and packaging for the packaging industry. At the time the recycling rate in the UK were too low and waste glass had to be shipped in from abroad. This revisited version of Ten Green Bottles has delicate labels with facts and figures on the virtues of glass as a potentially infinitely recyclable and thus precious material, which has to be considered in the context of the current debate on plastic waste. Thank you also to friends and family who kindly kept and donated glass bottles....




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